A
Life in the
Golden Age of Jazz:
A Biography of
Buddy DeFranco
By Fabrice
Zammarchi and Sylvie Mas
Edited and designed by
Malcolm S. Harris
ISBN No. 0-9617266-6-0
REGULAR EDITION (Postpaid):
$45 for USA and Canada
$80 for other countries
COLLECTOR'S EDITION (Postpaid):
$80 for USA and Canada
$120 for other countries
How to Order
A Life in the Golden Age of Jazz presents the fascinating
story of one of the "senior statesmen" of jazz, the late Buddy
DeFranco, who was generally regarded as the greatest jazz clarinetist
of all time.
Buddy was born
in 1923 and died in December of 2014. He therefore lived through almost the entire history of jazz. Buddy
began playing professionally in 1935, at the age of only 12, helping his
blind father support a poor family in South Philadelphia. He
began a career "on the road" at the age of only 16, playing
in many of the big bands which became the hallmarks of the Swing Era:
Gene Krupa, Charlie Bamet, Tommy Dorsey and Boyd Raebum. He participated
in the origins of the Bebop Revolution in New York in the 1940s, making
significant contributions to the harmonic concepts of that movement while
playing with Charlie Parker, Lennie Tristano, Dizzy Gillespie and all
the great protagonists of that "hot house" period in American
music. He was featured with the legendary Count Basie Septet in 1950 and
then led his own big band in 1951. From 1952 to 1956, Buddy led his own
Quartet, one of the greatest small groups in the history of jazz, which
included, at various times, Kenny Drew and Sonny Clark on piano. Milt
Hinton and Eugene Wright on bass and Art Blakey and Bobby White on drums.
Buddy's
long association with Norman Granz led to a prolific recording schedule
throughout the 1950s, and extensive international touring with the fabled
"Jazz at the Philharmonic" troupe, playing with such stars as
Dizzy Gillespie, Ella Fitzgerald, Ray Brown, Herb Ellis, Oscar Peterson,
Flip Phillips, Louie Bellson and Buddy Rich.
Jazz came upon hard times in the 1960s, but Buddy successfully
changed gears to become a studio musician in Hollywood and then spent
a grueling eight years as the director of the Glenn Miller Orchestra,
performing at more than 2,400 one-night stands from 1966 to 1974!
As
jazz began its modem renaissance in the 1970s, Buddy resumed his career
as a soloist and leader of small ensembles. He quickly reclaimed his stature
as the world's leading jazz clarinetist and introduced his artistry to
a new generation of fans. A successful partnership with vibraphonist Terry
Gibbs began in 1980, catapulting Buddy back to the forefront of jazz. He was one of the timeless masters of
jazz and enjoyed a truly international career.
Buddy's
story is, in a very real sense, the story of jazz in America. But the
most perceptive observers of American phenomena often come from other
countries in this case from France. Fabrice Zammarchi and Sylvie
Mas are a young husband and wife team from Paris who share a love of jazz
and a passion for the music of Buddy DeFranco. Fabrice is also the author
of Sidney Bechet: Passport to Paradise, a biographical portrait
of Bechet published in 1989. Fabrice is a professional jazz clarinetist,
and therefore speaks with great authority about the merits of Buddy's
artistry. After meeting Buddy and his wife Joyce during a European tour
in 1991, Fabrice and Sylvie became close friends with the DeFrancos and
conducted extensive interviews with Buddy over a decade. Those
interviews and the authors' extensive research have been blended with
a splendid collection of historic photographs to tell Buddy's complete
story.
This
is a book for all jazz fans because it successfully explores the breadth
of Buddy's life in jazz. The extensive interviews with Buddy are filled
with his personal anecdotes, relating his memorable experiences with the
hundreds of musicians he has lived and played with over the years. Buddy
revealed that he was a "walking encyclopedia" of jazz history,
having played with practically all of the great stars of jazz over the
last 79 years!
Buddy's journey through the ups and downs of jazz and his
stature as a "musicians' musician" gave him a remarkable perspective
from which to comment on the status of American popular music. And comment
he did! Buddy made a very convincing case for his conclusion that "American
popular music is in a state of total putrefaction." His cure: convince
the public to appreciate music which demands musicianship, responsibility
and professionalism from those who perform it.
Musicians
will also appreciate Buddy's comments on the role of the clarinet in jazz
and the special difficulties that befell clarinetists who tried to play
in the bebop idiom. Buddy's dazzling command of his difficult instrument
is illustrated by six transcribed solos which are reproduced in the book,
from different periods in his career, which show the development of his
style.
A Life in the Golden Age of Jazz has been produced
to very high "art quality" standards, in a large 10 by 11 inch
(25.4 by 28 cm) format, with 384 pages and 324 photographs taken throughout
Buddy's career. The photos come from dozens of sources, including the
DeFranco family's own collection, from Buddy's friends and fellow musicians
and from many of the famous professional photographers and archivists
who have made "jazz photography" their specialty, including
Herman Leonard, Frank Driggs, William Claxton, William Gottlieb, Ray Avery,
Popsie Randolph, Lee Tanner, Phil Stem, and many others. At least 75%
of these photos have never been previously published. All of the photographs
have been digitally restored and are reproduced using the rich duotone
process. The book is printed on heavy matte paper and all of the photos
are spot-varnished to provide added depth and detail.
The book includes a complete discography and filmography
(36 pages) and an index. The endpapers include full-color reproductions
of all of the album covers from Buddy's recordings from 1949 to the present.
A Life in the Golden Age of Jazz is produced in two
versions: a Collector's Edition and a Regular Edition.
The Collector's Edition is personally autographed
by Buddy and the authors and is luxuriously bound in bonded leather
and comes in a slipcase. Only 1,000 copies of the Collector's Edition
have been printed. Copies are individually numbered and may be purchased
only by direct mail from the publisher.
Collector's Edition, postpaid: $80 in USA and Canada / $110 other countries
The Regular Edition is produced with a hard cloth
cover and a dust jacket. It is available by direct mail from the publisher
and some book stores.
Regular Edition, postpaid: $45 in USA and Canada / $70 other countries
How to Order
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